Anushka Shetty’s Bhaagmathie Movie Review: An uneven spine chiller that packs a punch

Director: G. Ashok

Cast: Anushka Shetty, Jayaram, Asha Sharrath and Murali Sharma

Rating: 3 stars

Bhaagmathie is Anushka Shetty’s first discharge since Baahubali 2 and it’s a film you can’t take effortlessly. It’s an uneven spine chiller that, while ticking every one of the tropes as a rule related with the awfulness kind, figures out how to pack a strong punch with a progression of turns, which pay off abundantly, giving the film a consummately engaging conclusion.

Basically the same as Vijay Sethupathi’s Pizza, Anushka’s Bhaagmathie underestimates the frightfulness sort, just to swindle us with some shrewd written work and winds. While it’s not difficult to figure the wind (in case you’re keen) mid path through the film, Bhaagmathie still accomplishes what most movies in this classification have neglected to achieve. Full credit to author chief Ashok for throwing together a spine chiller that is not at all like anything Telugu industry has created.

The plot rotates around IAS officer Chenchala, adminstrative secretary to a clergyman, who is accepted to be degenerate profoundly. CBI arrests Chenchala to check whether they can discover any prompt red-handedly bust the priest and secure her up an old manor, supposed to be possessed by the phantom of Queen Bhaagmathie. The occasions that follow in the house shapes the essence of the story.

Anushka Shetty is fantastic in a part she claims and does full equity. There are minutes where she helps us to remember her flexibility, particularly why she’s more appropriate play savage characters more than a sentimental lead. There are parcels where her execution is reminiscent of Vikram’s part from Anniyan and it’s a treat to watch her take control of the story. She’s very much supported by Jayaram, who goes past the normal reprobate. Unni Mukundan sparkles quickly.

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Bhaagmathie is an appreciated takeoff from the done to death awfulness kind and the unexpected turns lift a generally grim film that could’ve been somewhat shorter.

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